Audition Material
Florida Rep’s 2024-2025 Season
Audition Material for Audition Appointments
September 9 – 13, 2024
Callbacks are planned throughout the week as needed.
IN-PERSON AUDITIONS
Location – By Appointment ONLY:
Ripley Grier Studios
520 8th Ave | Studio 17-A
New York, NY
Please see the production and role below for a list of what to prepare for the first call and callback.
- Please note: The sides are numbered in chronological script order. For the auditions, the sides may not be requested in numerical order.
- Click here to read the character breakdowns.
VIDEO SUBMISSION GUIDELINES (instead of in-person appointment): If you or your client cannot make the in-person appointment in New York, Florida Rep’s casting department will accept a video.
- Please follow this link to fill out an intake form and submit your video link.
- Florida Rep’s casting officials and creative teams will do their best to watch digital capture auditions, but they cannot guarantee that all videos will be viewed.
- DEADLINE: Try to upload by 5 PM on Friday, Sept. 13, 2024.
THE MURDER OF ROGER ACKROYD adapted for the stage by Mark Shanahan. From the novel by Agatha Christie. Dir: Charles Morey. 1st Reh:11/05/24. Runs: 11/26/24 – 12/15/24. Possible extension: 12/22/24. In Florida Rep’s Historic Arcade Theatre.
NOTE: Seeking a diverse cast of skilled actors with a command of dense language and period styles. Major Blunt should speak in a British dialect; please use your judgment as to what class/region.
MAJOR HECTOR BLUNT
LUCKY STIFF Book & Lyrics by Lynn Ahrens. Music by Stephen Flaherty. Dir: Jason Parrish. Musical Director: Victoria Casella. Choreographer/Asst. Dir: Kyle Brand. 1st Reh: 12/17/24. Runs: 01/07/25 – 01/26/25. In Florida Rep’s Historic Arcade Theatre.
NOTE: Seeking a diverse group of strong actors/singers/movers with command of comedy/farce style, including a 4-person ensemble that plays multiple characters. Accents and Dialects indicated by character (various British, French, etc.)
WOMAN 1
(all material for the first call and callback)
- Sing a song cut from your book (comedic or uptempo, have fun)
- Landlady Scene
- Landlady Song (from Mr. Witherspoon’s Friday Night)
- Video Auditions: You can use this track to sing the Landlady cut for virtual auditions.
MAN 1
(all material for the first call and callback)
- Sing a song cut from your book (comedic or uptempo, have fun)
- Solicitor (scene)
- Emcee (song & scene)
- Video Auditions: If you prefer, you can use this downloadable track to record a virtual audition.
BLOOMSDAY by Steven Dietz. Dir: Maureen Heffernan. 1st Reh: 01/07/25. Runs: 01/28/25 – 03/02/25. Possible Extension: 03/16/25. In the ArtStage Studio Theatre.
- NOTE: The play takes place in Dublin, Ireland. The roles of Cait and Caithleen are Irish, and a dialect should be attempted. Robert and Robbie are American (from Seattle).
- Pronunciation Guide:
- Cait is pronounced “KATE.”
- Caithleen is pronounced “kath-LEEN”
ROBERT
- First Call: Robert 1 | Robert 2
- Callback: Scene with Robbie (same as Robert #2)
CAIT (pronounced “KATE”)
- First Call: Cait 1 | Cait 3
- Callback: Scene with Caithleen (same as Cait #3)
ROBBIE
- First Call: Robbie 1 | Robbie 3
- Callback: Scene with Robert (same as Robbie #1)
CAITHLEEN (Pronounced “kath-LEEN”)
- First Call: Caithleen 1 | Caithleen 2
- Callback: Scene with Cait
BOCA by Jessica Provenz. Dir: Chris Clavelli. 1st Reh: 01/21/25. Runs: 02/11/25 – 03/02/25. In Florida Rep’s Historic Arcade Theatre
- NOTE: Seeking 2M and 3W who are strong comic actors to play multiple-role tracks.
MAN 2 (Marty & Robbie)
- First Call: Robbie 1 | Marty 1 | Marty 2 (Monologue)
- Callback: Robbie 2 (+ First Call Material)
WOMAN 2 (Iris & Janet)
SHOUT! The Mod Musical Created by Phillip George & David Lowenstein. Continuity by Peter Morris. Dir: Jason Parrish. Music Dir: Matt Cusack. Choreographer: Rebecca Frazier. 1st Reh: 02/25/25. Runs: 03/18/25 – 04/13/25. Possible Extension: 4/27/25. In Florida Rep’s Historic Arcade Theatre.
Please Note: Seeking to create a diverse ensemble of strong actors/singers/dancers.
- Video Submission Note: If you or your agent has been invited to send a video in liew of in-person first call, please read below:
- For SHOUT! THE MOD MUSICAL accompaniment tracks are not provided. Please provide two songs from your book:
- A song cut you LOVE to sing.
- A song in the style of the show.
- The monologue included for your character.
- A song cut you LOVE to sing.
BLUE GIRL (Prepare a cut from your book. Choose something you love to sing – it doesn’t have to be in the SHOUT style.)
- First Call: Song from your book +
Monologue | Don’t Sleep in the Subway - Callback: You’re My World
YELLOW GIRL (Prepare a cut from your book. Choose something you love to sing – it doesn’t have to be in the SHOUT style.)
- First Call: Song from your book +
Monologue | Don’t Know What to Do with Myself - Callback: Son of a Preacher Man
ORANGE GIRL (Prepare a cut from your book. Choose something you love to sing – it doesn’t have to be in the SHOUT style.)
- First Call: Song from your book +
Monologue |I Only Wanna Be with You - Callback: You Don’t Have to Say You Love Me
GREEN GIRL (Prepare a cut from your book. Choose something you love to sing – it doesn’t have to be in the SHOUT style.)
- First Call: Song from your Book +
Monologue | Coldfinger (Note: different lyrics from Shirley Bassey’s recording of Goldfinger.) - Callback: One Two Three
RED GIRL (Prepare a cut from your book. Choose something you love to sing – it doesn’t have to be in the SHOUT style.)
- First Call: Song from your Book +
Monologue | To Sir with Love - Callback: How Can You Tell?
VENUS IN FUR by David Ives. Dir: Chris Clavelli. Intimacy Coordinator: TBA. 1st Reh: 3/25/25. Runs: 04/15/25 – 05/18/25. Possible Extension: 05/25/25. In Florida Rep’s ArtStage Studio Theatre.
- NOTE: Seeking strong actors of any race with a command of language and physicality.
THOMAS
VANDA