Paxton Whitehead*
Frank Foster
Broadway: The Importance of Being Earnest, Absurd Person Singular, My Fair Lady (Helen Hayes Award), Lettice and Lovage, A Little Hotel on the Side, Artist Descending a Staircase, Run for Your Wife, Noises Off (Drama Desk Award), Camelot (Tony Award nomination), The Crucifer of Blood, Habeas Corpus, Candida, Beyond the Fringe, The Affair. Off-Broadway: The Heir Apparent, Bill Irwin’s Harlequin Studies, Suite in Two Keys, London Suite, One Way Pendulum, Gallows Humor. Westport Country Playhouse: What the Butler Saw, Bedroom Farce, The Circle, How the Other Half Loves, Time of My Life, Relatively Speaking, A Bench in the Sun, The Crucifer of Blood, and a Script in Hand play reading of Dial ‘M’ for Murder. Also recently: What the Butler Saw (L.A. and Boston, Norton Award);Pygmalion (The Old Globe, Williamstown Theatre Festival); The Habit of Art, All’s Well That Ends Well (Helen Hayes Award nominations, D.C.); A.E.H. in The Invention of Love (Jefferson Award nomination, Chicago). 1967-1977 Artistic Director of Canada’s Shaw Festival. Associate Artist San Diego’s Old Globe Theatre. Film: Kate and Leopold, Back to School, etc. Television: “Desperate Housewives,” “Mad About You,” “Frasier,” “The West Wing,” “Friends,” “Ellen,” “Third Rock from the Sun,” “Dinosaurs,” “Early Edition,” etc. .
